It was a great pleasure to conceptualise and host the end-term conference of the Marbach Weimar Wolfenbüttel Research Association at Klassik Stiftung Weimar last week (16/17 February). We asked Is digital better? and discussed this question with colleagues from the international community of digital collection research. Now on to the conference proceedings! WATCH THAT SPACE
It was a great pleasure to open the exhibition “Francis Bacon – In the Mirror of Photography” at the Museum für Gegenwartskunst Siegen last week. The exhibition, curated by myself and Christian Spies, includes three paintings by Francis Bacon, among them their newly acquired Turning Figure, 1963, and their photographic sources, for example from Picture Post and Lilliput magazine. I presented a lecture to mark the occassion.
It was great to present two lectures on Francis Bacon’s use of photographic sources at Dublin City Gallery The Hugh Lane, where Bacon’s studio material is held today.
Francis Bacon consistently and deliberately based his paintings on the photographic material he collected in his studios, most famously so in the last one at 7 Reece Mews, London, for this purpose. Francis Bacon – In the Mirror of Photography brings together Bacon’s pictorial springboards for the first time and delineates and interprets recurring patterns and methods, but also highlights the limitations of Bacon’s interest in photography.